Tamikrest
Chatma
Label: Glitterhouse
Genre: World Music
Availability
- CD Digi / Cardboard €10.99 Dispatched within 5-10 working days
<p class="p1">These last years have been intensely vivid for Tamikrest, defined as they have been by both tragic sadness (families and friends turned refugees, the brutal imposition of Sharia law in their hometown) and collective growth (their musical dreams building one upon another). </p>
<p class="p1">Their new album "Chatma", their third, deftly navigates these experiences and fashions them into a fully persuasive and poetic musical document. The album is filled with sober reflection, moral indignation, musical experimentation, cultural celebration and the kick of rock and roll.</p>
<p class="p1">"Chatma" is also Tamikrest's first album to be wholly written around a defined theme. In Tamashek "Chatma" means "Sisters" and the band has dedicated the album in their own words to: "the courage of the Tuareg women, who have ensured both their children's survival and the morals of their fathers and brothers." </p>
<p class="p1">The opening track "Tisnant an Chatma (The suffering of my sisters)" is a heartbreaking homage: " Who can estimate the suffering felt by the soul / of one who sees her sisters exhausted from waiting/ of one who sees her sisters exhausted from waiting between countries, in deep distress /and daily oppression? " Fittingly for an album so lyrically evocative, "Chatma " also delivers Tamikrest's most wide-screen and wide-ranging sonic statement to date. The infectious, sing-along rock stylings of "Imanin bas zihoun", the acoustic seduction of "Adounia tabarat", the Pink Floyd influenced montage "Assikal" and the lush, melancholy ambiance of the albums finale, "Timtar", all add up to a sustained audio adventure.</p>
<p class="p1">Echoes of dub, blues, psychedelia, funk and even art-rock are seamlessly weaved by Tamikrest into their increasingly individual take on the Tuareg musical tradition. And on an album where the title translates as "Sisters", it makes perfect sense that this time around we hear the full emergence of the haunting voice of female vocalist Wonou Walet Sidati in tandem with lead vocalist Ousmane Ag Mossa. A new guitarist, Paul Salvagnac has also joined the band, bringing with him fresh textures and possibilities. Contemporary Tuareg music has produced several unforgettable albums in recent years and "Chatma" certainly deserves to be ranked with these. But one also gets the sense, when listening to "Chatma" that there is something uniquely innovative and exploratory about Tamikrest's musical quest and that at last they have stepped into a wide-open space of their own.