Shenfeld Maya
Under The Sun
Label: Thrill Jockey
Genre: Electronica / Ambient / Experimental
Availability
- LP €30.99 Dispatched within 5-10 working days
Composed and produced between a studio in Berlin and on-site at one of the world’s deepest marble quarries in Portugal, the album’s powerful sounds are a meditation on the natural world, wrestling with the looming threat of catastrophe and crisis, and the power of community and collaboration to enact change.
Our environment is more than just an abstract theme, it is interwoven into Under The Sun’s very sonic DNA. Field recordings taken deep within the still-active quarry in Portugal were recorded, quite literally, under the scorching sun on one of the hottest days on record in the country. Shenfeld extracted sounds from this scarred, deeply mined landscape, and threaded these samples into rich arrangements of synthesizers and acoustic instruments. The atmospheres of Under the Sun evoke that push and pull through an eclectic and rich sonic palette, from the sacred sounds of the organ at St Matthew’s Church to the ethereal voices of the Ritter Youthchoir conducted by Ann-Kristin Mayr.
Reflections of her punk and electronic forays bubble up in a collaborative composition with Emptyset’s James Ginzburg, summoning raw, primal energy. Under the Sun encourages us to explore how we relate to our environment. Shenfeld’s slowly evolving, hypnotic pieces make canny use of repetition, space, and silence to play with our very sense of time and our relationship to our surroundings. A deep listening that enables us to better attune our ears to the world around us, championing collective listening and collaboration as a force for change.
“The Jerusalem-born sound artist’s debut invokes the transcendent via a compelling mix of analogue synths, brass and human voices”
- 4 Stars and Album of the Month, The Guardian.
“A richly textured essay that revels in brilliant overtones and multihued harmonies” - Dusted Magazine
“Everything unfolds at a pace that gives opportunity to be totally immersed in the evolution of each piece.” - Freq