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As the title intimates, "Last Spring" is a revisiting of spring. It is not an exulting, whirling awakening, but a sustained, minimalistic meditation, oriented strongly towards the details, the variance of the melodies, the breadth and beauty of the sound. It is based on the most perfect interaction possible: Wesseltoft's soft piano daubs melt like wax into the pizzicato melodies that Kraggerud entices out of his 1744 Guarneri violin, his Harald Lund viola and his unique six-stringed viola Concorda.
