Rohrer Samuel / Loderbauer Max / Westerhus Stian / Freund Tobias
Kave
Label: Arjunamusic
Genre: Electronica / Ambient / Experimental
Availability
- LP €25.49 Out of Stock
With Rohrer acting as creative director and most of the quartet sharing synthesizer duties, there’s a strong sense of unified purpose to this set, and a narrative flow that never causes the listener to focus on one constituent part at the expense of the whole. At the same time, the players know all well that cohesion counts for little without those constituent parts being compelling in their own right.
Rohrer and Loderbauer, for example, have previously crafted a unique techno-organic approach with the Ambiq trio, and the lessons learned from that partnership are put to inspired use within this new configuration. Stian Westerhus’ contributions on guitar and vocals, along with Tobias Freund’s electronic reinforcements - Freund also has worked since many years with Max Loderbauer as NSI - all conspire to make something that Rohrer aptly compares as “forest”-like. It’s a descriptor that will have vastly different meanings for each listener.
For Rohrer, it refers to music that is confident in the “deep-rootedness” of its foundations and defined by a density and mystery easily confused with darkness, while nevertheless proving its bright vitRight away, on the introductory odyssey 'Cambium' the quartet sets out to make good on this metaphor, creating a hypnotic foundation for what is about to unfold during the next 42 minutes, with brooding, slow, 'searchlight in a fog,' synth washes and percussive stridulation. The twin 'Hibernation' tracks show all the unique elements beginning to coalesce: the emotional tenor is one of vulnerability that melts into the determination of 'staring into the void', a temperamental state challenging to represent authentically in music.
The atmosphere of psychic challenge effort lessly gives way to the faintly nostalgic glimmers of 'Giant Peach' - a literary reference to the macabre whimsy of Roald Dahl. The ultimate dissolution of barriers between organicism and synthesis is accomplished on the majestic 'Divided We Fall', a title referring to Westerhus’ smoky vocalization that winds into a double helix formed from electronic surges. Again, the ease with which it all comes together is mesmerizing, and while there’s an aura of risk accompanying this walk through the woods, there’s a much more enduring impression of carefully orchestrated growth and change.