Sylvian David & Czukay Holger

Plight & Premonition / Flux & Mutability

Label: Gronland

Genre: 80s Wave / Rock / Pop / Punk

Availability

LP x2 €22.99

Dispatched within 5-10 working days

We are happy to announce the reissue of one of ambient music’s hidden gems, by two unique musicians whose paths originally crossed in the early-eighties while working on Sylvian’s debut solo album, ‚Brilliant Trees‘. In 1986, David Sylvian – of British Art-Pop band Japan – and Holger Czukay – founding member and bassist in legendary German Kosmiche band Can – were ostensibly reconvening for Sylvian to record a vocal for Czukay’s forthcoming album ‚Rome Remains Rome’. But on arriving at Czukay’s studio – a former cinema in Köln – Sylvian began playing freeform, improvising on readily available instruments located in the studio itself. No sooner had Sylvian, on whatever instrument he’d been applying himself, start to structurally define/refine the performance than Czukay would stop the recording he’d surreptitiously been making. Czukay had attempted to capture the process of creation without a musician’s inclination for refinement. This process, drawn out over two nights, gave birth to the duo’s first, full-fledged, collaboration, ‚Plight and Premonition‘.

Having been out of print for some time, the parallels between the original release 30 years ago and now are quite stark; at the time of recording the Cold War was lifting – but still very real – after a bitter winter. The names „Plight & Premonition“ and „Flux & Mutability“ themselves hint at an instability. In Sylvian’s words, the sessions seemed to touch on something: “A form of music that seemed to have been created while we were absent by instruments abandoned to the earth and the woods, sounded by the coarse winter elements.”

The version of ‘Plight and Premonition’ included here is a new mix by Sylvian from 2002. All the recordings have been fully remastered. The packaging has been redesigned by Chris Bigg with Art Direction by Sylvian with new, previously unseen, photographs by Yuka Fujii, accompanied by an extensive essay by David Toop.