Here there are in full the stigmata of the Gato major, in contact, moreover, with thematic material that is not his own, which, moreover, from the height of his absolute improvisational magisterium, he manages to make his own through a broad, fluent, very generous eloquence, full of ripples, excruciating sounds, but always with that sense of song that even before that of Coltrane (or of the much vaunted, at the time, Pharoah Sanders) comes to him from Albert Ayler. (Alberto Bazzurro, All About Jazz)
