
Body
All The Waters Of The Earth Turn To Blood
Label: Thrill Jockey
Genre: Industrial / Post Industrial / Experimental
Availability
- LP x2 €34.99 Dispatched within 5-10 working days
All The Waters rightfully broke The Body, the duo of Lee Buford and Chip King, out from the underground and was met with acclaim from across a wide spectrum. Pitchfork’s Grayson Haver Currin said of the record: “The rare album that feels truly dangerous. As it crushes and collides doom metal, harsh noise, industrial rock, and gospel singing into one mean mess, it seems to obey no rules but its own. The result is a singular, explosive masterpiece.” NPR’s Lars Gotrich put it in his 2010 Top 10 list, calling it “the most surreal doom-metal record of 2010” and The Quietus called it the year’s “best record on the fringes of metal.” Following the album’s release and subsequent tours, which sometimes included the entire Assembly of Light Choir, The Body established themselves as a permanent fixture of forward-thinking artists and a reliably overwhelming force, both on record and in live settings.
All The Waters also helped spark the duo’s penchant for collaboration, which they then solidified across dozens of releases, from collaborations with Braveyoung to BIG|BRAVE, Thou, Full of Hell, Uniform, and beyond.
The new reissue for All The Waters is packaged as a double LP, including a whole new Side D, which is composed of bonus material never before pressed to vinyl. First edition pressings of the double vinyl reissue will be a deluxe poster edition.
“Like the best of Eyehategod or Bastard Noise, All the Waters is the rare album that feels truly dangerous.” - Pitchfork
“All The Waters... is bold, intense and arguably the best record on the fringes of metal since Sunn O)))’s 2009 masterpiece, Monoliths & Dimensions.” - The Quietus
“As the record continues, the beating just doesn’t stop. The choral voices, returning here and there, are the only ray of hope: the Body’s own singing amounts to weedy, apocalyptic howls, barely clearing the din of their processional stomps. It’s an experience, this record, written in big riffs and celestial choirs and digital static.” - The New York Times