Before establishing herself as a filmmaker, Obomsawin began her artistic life as a singer-songwriter in the 1960s, as Indigenous artists from across North America were rallying in new assertions of cultural identity, consciousness and political rights, calling for reckonings with oppressive colonial history. She was invited by Folkways to perform at Town Hall in New York City in the early 1960s and spent most of that decade primarily identifying as a musician and social activist, channeling traditional First Nations songs hand-in-hand with modern composition and arrangements.
Obomsawin kept her musical output percolating alongside her burgeoning documentary film career, with performances at the legendary Mariposa Folk Festival among others. In the mid-1980s Canada's national broadcaster (CBC Radio) invited Obomsawin to record an album; unsatisfied with these recordings, she reclaimed the master tapes, remixed the material, re-recorded the title track from scratch, and issued the ensuing Bush Lady album on her own private press in 1988 complete with her own artwork and liner notes. Lacking formal distribution - and with Obomsawin focused primarily on her documentary film career - only a portion of this pressing was sold at the time, the remainder occupying a closet in her Montréal home. The album has grown to become an increasingly legendary rarity ever since.
Bush Lady is a unique and magical record by any definition. It's an invaluable example of contemporary First Nations music that blends traditional folkways with avant-garde composition. Amidst the broader and long-overdue resurgence of interest in modern Indigenous music - perhaps most notably culminating with the Grammy-nominated Native North America (Vol. 1) released in 2014 - Constellation is honoured to be working with this Canadian cultural icon to issue a remastered version of Bush Lady on audiophile 180gram vinyl and on CD for the first time.
Includes 2 foldout posters.