<p>Once in a while, Germany offers uniquely talented female singers, and <strong>Andrea</strong> is one of those. Draw yourself a line from <strong>Marlene Dietrich</strong> over to <strong>Nico</strong>, add some dashes Chamber Pop in the vein of <strong>The Tindersticks</strong> to it and you come close. Discovered and loved by such illustrious people like <strong>Charles Plymell</strong> or <strong>Mike Watt</strong>, <strong>Andrea Schroeder</strong> is such an exceptional phenomenon. She's a musical poetess, with an outstanding voice that is as fascinating as her thrilling and melancholic lyrics. „<strong>Where The Wild Oceans End</strong>“ is Andrea's second album produced by <strong>Chris Eckman</strong> (<strong>The Walkabouts</strong>, <strong>Tamikrest</strong>, <strong>Midnight Choir</strong>) and analogue recorded at the <strong>Ocean Sound Recording Studios</strong>, <strong>Norway </strong>very close to the <strong>Atlantic coast</strong>. If you compare her forthcoming release to the critical acclaimed debut album „<strong>Blackbird</strong>“ you must admit that she has taken the next big step. <strong>Andrea Schroeder </strong>and her band, including Danish guitarist and songwriting partner <strong>Jesper Lehmkuhl</strong> (<strong>Farmen</strong>), have made an unbelievable progression since releasing „Blackbird“ on <strong>Glitterhouse Records</strong> in 2012. Focussing on her seductive but threatening voice and the charateristic melancholic storys Andrea's musical vision is still growing. „<strong>Where The Wild Oceans End</strong>“ is an album as it was made from one piece: it leaves its marks but inspires your soul and ends in deepest satisfaction.</p>
